Review: Up (2009)

[Scott Mendelson]

Up
2009
102 minutes
Rated PG

by Scott Mendelson

It is one of the bitter realities of our existence; that all of our
relationships must end with the pain and sadness that comes with
death. All of my relationships, friends and family alike, will end on
the same bitter note. No matter how good of a father I am to my child,
I cannot escape the fact that the final memories that she will have of
me will be the circumstances and feelings associated with watching me
die. And no matter how long my marriage lasts, in all likelihood the
last thing we will do for each other is hold each other's hands as the
first one of us passes on to leave the other behind to pick up the
pieces. I can only hope that the lasting impressions made while still
on this Earth are strong enough to overpower the more painful memories
forged right at the end in the minds of the people who must eventually
bury me.

Up is easily my favorite animated film since Meet the Robinsons. Both
films are unabashedly sentimental fables about the broad strokes of
life. Meet the Robinsons dealt with a young orphan boy who learns to
accept the hardships that early life can bring, so that he can 'keep
moving forward'. Up is about a man at the end of his life, with
seemingly nothing to live for except to look backwards with fondness
and regret. At the risk of scaring off would-be viewers, it is the
most achingly sad romantic fable since Sarah Polley's Away From Her.
And while I wouldn't recommend it as a casual date movie, and I'm not
sure how it will play as a family film (since the kids might wonder
why mommy and daddy are crying), it is a gloriously beautiful
adventure film that will likely remain the finest film of 2009.

A token amount of plot - Elderly Carl (Ed Asner) has just buried Elle:
his wife, his childhood sweetheart and his best friend. Waking up
without any purpose to his life, he simply sits on his couch, mourning
both his loss and the one adventure that his wife and he never got
around to taking (life kept getting in the way). After circumstances
put both his house and his freedom in jeopardy, Carl decides to live
out Elle's childhood dream (traveling to South America and living in a
house on the mountaintop next to the theoretical Paradise Falls).
Using leftover balloons from his days as a balloon peddler, Carl sets
sail as his entire home floats into the sky. As he embarks on one
final adventure to keep a promise, he soon discovers that a young
'wilderness explorer scout' has accidentally stowed himself away on
the front porch.

That's all you get. I wouldn't dream of revealing what Carl encounters
on his journey. It offers up its visual pleasures without explanation
and without apology, knowing that it has earned the right to its own
imagination. The film is surprisingly simple, with a relatively
straight-ahead narrative that takes only a few twists along the way.
As Carl and the young boy bond through their mutual grief (young
Russell is mourning the apparent divorce of his parents and the
absence of his father), Carl desperately tries to get his house to the
falls before the helium runs out. Despite the melancholy undertone,
this is, similar to the last Indiana Jones picture, an often rousing
story about a man nearing the end of his days discovering that he
still has a life left to live.

While the film is basically about death and the fragility of life, Up
is every bit as funny and exciting as any other Pixar film. The
'talking dog' (via electronic collar) revealed in the previews is just
the beginning of the glorious discoveries that are in store. The
animation is, of course, astonishing, with rich bright colors and
vivid details around every corner. The score by Michael Giacchino is
every bit as rousing as his work on The Incredibles. And the vocal
work (mostly filled with actual voice over artists, save for Delroy
Lindo and Christopher Plummer) is splendidly low-key and naturalistic
and always at the service of the story (Ed Asner is wonderful per
usual, although most of Carl's best moments are silent ones). Even if
kids don't get the heavy dramatics at play, there are plenty of laugh-
out-loud gags and gee-whiz action scenes to keep them enthralled.

Up is a wonderfully touching, openly dark, and surprisingly surreal
adventure story. To call the picture 'sentimental' would be an
understatement, as it is often an ode to sentimentality. It uses
wordless montage and the power of silence every bit as effectively as
Wall-E and it's often just as action-packed as The Incredibles. It is
a beautiful tale, gloriously told with rich and vivid characters, eye-
popping visual splendor and it acknowledges the complete despairs and
utter joys of life in one fell swoop. It is the finest film of 2009
and one of the finest animated films I've seen in my lifetime. Up is
just that good.

Grade: A+