Review: Big Man Japan (2009)
Scott Mendelson
jcknapier at gmail.com
Sun Mar 21 19:56:00 EDT 2010
Big Man Japan
2009
113 minutes
Rated PG-13
By Scott Mendelson
Big Man Japan is the rare picture that has such a delightful premise
that it would hardly matter if the film worked or not. Fortunately for
fans of offbeat, quirky cinema, the picture does maintain a certain
down to Earth charm. This Japanese import is a genuine original and
actually works as a comedic deconstruction of the Japanese monster
movie genre, much as Hancock operated as a skewed take on American
superhero sagas (for the record, this film was released in Japan in
2007, a full year before Hancock). While the picture never aims for
the emotional heights of that Peter Berg gem, it is awfully funny,
with a surprisingly potent bit of social commentary just underneath
the quirkiness.
A token amount of plot - This mockumentary concerns the exploits of
one Daisato (Hitoshi Matsumoto), who appears to be your every day
middle-aged slacker. But his actual occupation is one of great
importance to Japan. Whenever a monster attacks, Daisato rushes to a
government facility, where he is shocked by bolts of lightening,
transforming him into a several-stories high giant, capable of
defending the fair citizens of Japan from monstrous peril. The latest
in a long family line of monster fighters, Daisato is treated not with
the reverence of his predecessors, but with scorn and ridicule by a
populous who complains about property destruction and noise. In short,
Big Man Japan is about a superhero who is viewed as anything but by
family and bystanders alike.
That's all you need in regards to the story. Like a Charlie Kaufman
comedy, the film is shot in the usual mockumentary style, giving a
realism and deadpan feel to the out of this world storytelling. While
the special effects are crude, they are absolutely appropriate for
this material and are exactly as good as they need to be for this kind
of film. Director Hitoshi Matsumoto never goes for the easy joke or
the cheap laugh, instead building a certain sympathy for this pathetic
would-be champion. The acting is always above board and no one ever
winks or acknowledges the absurdity of this situation. The picture
takes its time developing its primary characters in between the
comical monster mashes, which makes the smack downs that much more
rewarding. The film slowly develops into a sad tale of a pathetic and
lonely man who exists only to engage in crowd-pleasing battle royales
with various life-threatening adversaries. Yes, the film is a bit
long, but the token emotional investment is a welcome note from a film
that could have been a campy one-joke comedy.
Big Man Japan is a true delight, a charming variation on any number of
beloved genres. It is probably one of the more original films you will
see this year, both in concept and in execution. It is funny,
thoughtful, and occasionally touching. While probably destined for
limited theatrical release, it is just the sort of picture to attain
cult status once it hits DVD. Big Man Japan is just plain big fun.
Grade: B+
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