Review: The Great Buck Howard (2009)

[Scott Mendelson]

The Great Buck Howard
2009
90 minutes
Rated PG

by Scott Mendelson

"People die everyday, Frankie - mopping floors, washing dishes and you
know what their last thought is? I never got my shot." - Morgan
Freeman (Million Dollar Baby)

We are always hearing about comebacks in Hollywood. Sometimes it's the
much-vaunted recovery from some kind of personal issues, trying to
remake their career after artistic or financial failure, or simply re-
emerging back into the limelight after a self-imposed sabbatical.
There is an odd need to embrace the 'back from the dead' narrative in
Hollywood careers. What's never discussed, however, is why so many
entertainers feel that they are entitled to a second chance,
especially when so few people get their first shot in this most random
and brutal of businesses.

The Great Buck Howard is a charmingly entertaining comedy about the
difference between second chances and second acts. It is no small
irony that the film seems to cement the next stage of John Malkovich's
career, that of the approachable and non-threatening comedy actor.
I've written elsewhere about the odd phenomenon of famous villains
becoming gentle comic souls in their later years (in fact, that essay
started as the opening paragraph of this review), and Malkovich's
humorous and subtle performance is what makes this film worth seeing.

A token amount of plot - Troy Gabel (Colin Hanks) has just quit law
school, much to the chagrin of his father (Tom Hanks, who also
produced this picture). Deciding that he wants to be an entertainer/
writer instead, Troy eventually finds himself hired as an assistant to
Buck Howard (Malkovich), a past-his-prime stage magician and hypnotist
who is struggling to regain the fame and glory of his prime years.
Buck Howard may be occasionally pushy, rude, and overly demanding, but
Troy sees the true talent that once made Buck a star and convinces
himself that what he's doing has purpose.

It's not the most original story ever told, and I was annoyed at the
pointless inclusion of a romantic interest. Emily Blunt's publicist
character has little depth and no real use to the story other to give
Troy someone attractive to crush on. But the pay off is surprisingly
moving and the characters are surprisingly honest. I'm fond of the
moment when Troy's father confides in his son that he certainly
doesn't enjoy the high-stress work that pays the bills, but that he
was hoping that his son wouldn't have to fend for himself (tragically,
this marks the once invincible Tom Hanks' first good live-action movie
since The Ladykillers in early 2004). This is a small movie, and the
picture sneaks up on you even as you know where it's probably headed.

The film works mainly because of John Malkovich's delightful comic
performance. As a genuinely talented man who is in denial about the
level of his fame and the nature of his legacy, Buck Howard inspires
our sympathy even when his behavior doesn't always earn it. The story
eventually becomes a treatise on what it means to be successful in a
given field, regardless of your level of fame. The final ten minutes
are shockingly effective, with Malkovich doing some of the best work
in his career. In the end, The Great Buck Howard is a small story,
well-told by actors who rise above the sometimes stock plot mechanics.
The film has a good-natured vibe, with a surprisingly sound resolution
that rings true. It's worth seeing for John Malkovich's wonderfully
atypical performance and I cannot wait to see what he does with his
own second act.

Grade: B+