Review: Yes Man (2008)

Scott Mendelson jcknapier at gmail.com
Tue Mar 9 14:53:05 EST 2010


Yes Man
2008
106 minutes
Rated PG-13

by Scott Mendelson

There is a scene about halfway through the Jim Carrey vehicle Yes Man
where Zooey Deschanel shows up to a costume party dressed as Heroine
Granger from the Harry Potter series. The rest of the film is also
more or less worth the price of admission.

There is something to be said for simply spending a couple hours with
good company, simply watching good things happening to relatively good
people. Especially in the Oscar season, where everything else involves
miserable, self-loathing people dying just before or just after they
figure out what went wrong, a movie like Yes Man is a perfect counter
programming. I wouldn't go so far as to say it's good, but it is fun.
Jim Carrey is relatively restrained (his over mugging marred the
otherwise witty, ahead-of-its time Fun With Dick And Jane), and it
corrects a serious flaw that has infected some of Jim Carrey's other
comedies: this time, the supporting cast is allowed to be funny too.

A token amount of plot: Carl Allen has been shell-shocked since the
dissolution of his marriage three years prior. He spends his days as a
near-zombie, drifting through his job (he's a loan officer at a bank),
barely maintaining contact with his few remaining friends, and
basically refusing to make any attempt at actually living. All that
changes when an acquaintance talks him into attending a self-help
seminar where the overriding principle is to say 'Yes' to every
opportunity that comes your way. Life changes and would-be hilarity
ensue as Carl says yes to various odd opportunities (flying lessons,
penis enlargers, etc). Oh, and his first 'yes' activity (giving a ride
to a homeless man) allows him to accidentally bump into quirky
musician/photographer Allison (Deschanel), an event that blossoms into
a promising new romantic entanglement.

There isn't much that occurs in Yes Man that defies predictability,
but that doesn't mean that it isn't relatively effective. As mentioned
above, the supporting cast is allowed to shine more so than usual in
Jim Carrey comedies (yes Cameron Diaz looked great in The Mask, but
did she make a single joke?). Terence Stamp is surprisingly hilarious
as the self-help guru that sets the plot in motion (basically, he wins
laughs by being 'Terence Stamp as the self-help guru'). Bradley Cooper
is put to better use here than in The Wedding Crashers as Peter,
Carl's best friend. They actually seem like old friends and when Peter
needs to tell Carl some uncomfortable truths, it actually feels
authentic. Deschanel scores solid laughs with a shockingly terrible
piece of performance art that the film can't decide whether to mock or
applaud.

In fact, for much of the film, Jim Carrey comes off as the proverbial
straight man, reacting to the various goofy situations or pleasant
developments. Jim Carrey is far more restrained than he usually is in
his comedy vehicles. Mugging is kept to a minimum, and he even
underplays the loneliness and sullenness in the opening act. And much
of Carrey's humor in the film comes not from pratfalls and rubber-band
facial expressions, but from the fact that Carl is a good natured and
funny fellow.

I always took Bruce Almighty, with its arc of Bruce ditching his
'serious anchor' gig for the wacky newsman routine at which he
excelled, as a metaphor for Jim Carrey's acceptance of the fact that
audiences prefer him to be zany and make them laugh (and that its just
as important to be a great comedian as a 'serious actor'). By that
token, Yes Man can be construed as a final acknowledgment that the
drive for acceptance, which has haunted Carrey since his traumatic
childhood, has finally been quashed. He now realizes that, to
paraphrase Minnesota's next senator, he is 'good enough, smart enough,
and gosh-darn it, people DO like him'. It's certainly possible that
winning the self-esteem war may result in less edgy, less challenging
projects (think Eddie Murphy), but the man deserves a little
happiness. If the slightly generic Yes Man is symbolic of the new,
happier Jim Carrey, then it is a small price to pay for his peace of
mind.

Grade: B



More information about the rec-arts-movies-reviews mailing list